
Use ACX Audiobook Checker to measure chapter loudness, peak, noise floor, sample rate, and MP3 bitrate against ACX audio numbers.
Sam Okonkwo is about to upload chapter files to ACX and does not want another rejection for loudness or bitrate. ACX Audiobook Checker measures a chapter (MP3 or WAV works best) against ACX audio numbers—loudness (RMS), peak, noise floor, sample rate, MP3 bit rate and constant bit rate, and length—then can fix and save a compliant MP3 for the measured limits.
This guide covers one job only: get the numbers in range, then still listen like ACX will.
A pass means the measured numbers are inside the limits. ACX also listens: opening, ending, room tone, noise, clipping, and quality a meter cannot judge. Treat a green table as “levels OK,” not “store will love the performance.”
Related: Audio Converter, Extract Audio, Audio Trimmer. Category: audio tools.
Ch03_raw.wav then export MP3 after fix if neededChanging volume raises or lowers noise with the voice. A noisy room is fixed at the recording or with a proper noise-reduction pass, then re-measured. Gain alone does not invent a quiet booth.
Match loudness strategy across chapters so the listener does not ride the volume knob. After each chapter passes, spot-check a crossfade between chapter end and next start.
If an editor delivers files, run the checker yourself before ACX. “They said it was fine” is not a measurement. Send the table screenshot back when something fails.
Peak catches clipping risk; RMS/loudness catches overall energy. Fixing only peak with a limiter can still leave loudness out of range. Read every row in the table before you celebrate.
Wrong sample rate or non-constant bitrate MP3s fail even when the performance is fine. After any convert step, re-run the checker so the delivery format still matches ACX numbers.
If ACX rejected for levels, download their note, re-measure the exact file you uploaded, fix, and keep a folder rejected_v1 vs resubmit_v2 so you never re-upload the wrong take.
Leave clean room tone at head and tail per current ACX guidance rather than abrupt digital silence that sounds fake. The checker will not grade “sounds natural,” but QC listeners will. Record thirty seconds of room tone once per session for edits.
Very short or oddly long chapters can still pass levels. Use length as a production cue: if a “chapter” is three hours, split for listener UX even when ACX numbers pass.
Do a final listen on headphones and once on small speakers. Mouth clicks and fridge hum hide differently. Levels tools do not replace that pass.
Title_Ch03_checkOK_2026-10-23.mp3 beats export.mp3. Include chapter number and date so resubmits never collide.
Pass = ACX accept? No—numbers only; ACX also listens.
Is audio uploaded? No—browser-side measure/fix.
Noise still fails? Fix the room or noise-reduce, not only gain.
Say chapter 5 measures RMS -26.8 dB, peak -9.5 dB, and noise floor -65 dB. The Fix button aims for an RMS of -20.5 dB, the middle of the -23 to -18 range, so it applies a gain of 6.3 dB. That moves the peak to -3.2 dB, above the tool's -3.4 dB ceiling, so a limiter is added. It also pushes the noise floor to about -58.7 dB, past the -60 dB limit, and the tool warns you about that instead of hiding it.
When that warning appears, gain alone cannot rescue the take. Re-record in a quieter room or reduce the noise first, then measure again.
The checker scans the file in half-second windows and takes the quietest one as the noise floor, so a clean gap between sentences is what counts. It also checks sample rate, MP3 bitrate, and constant bit rate. Length is tested too, with a limit of 120 minutes per file, so a long recording should be split by chapter. The fixed file is encoded at 44.1 kHz and 192 kbps, and its new table is worth checking.
Measure, fix, listen, then upload. Open ACX Audiobook Checker on every chapter before the ACX queue.
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